I was reading up about another COMMON PURPOSE member upon MR ICKE’s site and I couldn’t make up my mind if this woman was really bad news or not…I know that COLLIE had gone to great lengths to deprogram these people so what was this article all about?

The woman was dyslexic and looked very Swedish…she was claiming to dare to be different - in terms of her high office and her being ‘differently abled’ and her ‘looks’…what can one say?

You could add to the list - a disability like WHEELCHAIR BOUND…how about BLIND…what about ‘terminally-challenged’ because it is very unfair if you have a terminal illness to be ‘weeded out’ by companies like MCDONALD who sell on your medical records…

Anyway, during my bath…the above seem to have triggered a string of what appear to be unassociated thoughts and memories but here goes:

Firstly RIKKI and ATTILA…I seem to remember ROZ saying in the future that she always felt close to TOMLINSON - as if he were always ‘there’…I would guess that was his young ‘girl alter’ whom I shall call ‘Rikki’…

You see, I am beginning to get the picture here that the TASCHMANS used this process more than once - to save the ‘good part’ of a person’s soul…

I had always loved the little ‘daschund’ as I put it…and would have protected it to the death…and that was MARTINE, wasn’t it?

Plus the fact that MARTINE was the top remote-viewing alter of MARTIN…as powerful as HENRY…and so the two of them together felt ‘safe’ and able to do, pretty much whatever they felt like…once ‘upon their chair’.

I had sensed this - for the first time in GILL’s flat…a very young girl was sitting beside me, on the chair…she was very proud and she didn’t like to admit defeat…it was all about toddler-management really….I had to allow her to shout it all out…all of her pain and anger…then when she had calmed down…she sat beside me WITHOUT looking at me, as if I wasn‘t there - despite forcing me to budge up…I then tentatively put my arm around her protectively…and she put her head next to mine…I was ‘forgiven’ to an extent…until the next time.

COLLIE then had to oversee MARTINE’s ‘growing up’ process…to allow this alter to grow old…whilst still part of MARTIN’s personality but now the dominant one…in the hope that she could convince his demonic alter to behave itself…in the end, GILL reverted to type…his demonic alter took over again…and so what happened in ISRAEL - then happened. MARTINE was sent to me for ‘safe-keeping’.

GILL arrived back in NYC…and MCDONALD and MARK R had planned some ‘nasty surprises’…a car accident…TODDY’s wheelchair…and then the ‘gift’ of a ‘little princess’…you see GILL knew that MARTINE was missing…he didn’t want to dress up as her any more…his lost princess…where was she? Then his sister was pushed into play…as a ‘real little princess’ and he fell for the bait…she had been made ‘irresistible’ to his demonic alter…by careful tutoring from MCDONALD and CO…to torture this ROTHSCHILD alter further…they all really hated this ROTHSCHILD alter by that point in time…and if you look at what the ROTHSCHILDS had done to the entire world…I pass no judgement upon it.

OTHER NOTES:

I now understand that MARTINE could take over from the ROTHSCHILD alter now and then…even when GILL wasn’t dressed as MARTINE…for example - that PHOTOBOOTH SHOOT…GILL and I had gone in there…sat upon the one seat and of course, MARTINE had come to the fore immediately…and we symbolically replayed what had happened to us:
MARTINE looked straight ahead at TODDY’s camera…whilst I looked to the side for an avenue of escape…we had our heads together throughout…HENRY then looked at MARTINE…and she turned to look at him…the ROTHSCHILD alter then took over with the demonic ‘kiss’…and everything went downhill…

My best times with GILL were when MARTINE had taken control of him, from behind…

In fact, I can remember - yesterday - whilst studying the CHEST OF DRAWERS from GILL’s bedroom in SOLIHULL…there is a PAPIER MACHE HEAD upon it…it is very surreal.

I then remembered COLLIE putting it in there…she wanted it decoded - apparently MARTIN had made it and given it to his parents. This is what that had been all about:

ALISON STONIER had been commissioned by EDWARD BOND the playwright in residence at ESSEX UNIVERSITY to make masks and two SEVERED HEADS for the new play about CHINA that he had jus written and was to be performed at the university theatre ‘Theatre Underground’ by the students.

The project was ill-starred from the beginning - I do not know what actually happened but the whole thing bombed really badly - with BOND washing his hands of the whole affair and refusing to direct it anymore…he left the university. The play was put under new direction and put on anyway and THE GUARDIAN panned the performance of it.

Anyway, ALISON asked me to do one of the ‘severed heads’ and so I painted it like a CHINESE horror warrior mask…with large GREEN circles around the eyes…that sort of thing…ALISON made hers far more ‘realistic’ as if it really were a ‘severed head’…

Those who went to see the play returned with comments like ‘well, the heads were cool’ as if that was the best thing that they could say…BOND told ALISON a similar thing…

GILL had a look at the heads and MARTINE was fascinated…she was his ‘creative genius’ and she wanted to make one too…which she did in ‘his’ spare time. She then presented it to her parents…I would figure that this was a way of making the ‘invisible’ ‘visible’ as in her/his programming by TOMLINSON/SCARLETT/TODDY.