I am getting something back here around MARK R becoming fascinated by art college foundation course ‘basic training’ in colours…for example:
COMPLEMENTARY COLOURS which are in fact opposites…like a light turquoise to a purple…a particular shade of orange to a green…
I always wondered why they were called COMPLEMENTARY because they literally CLASHED together…but sometimes that juxtaposition looked ‘good’…
At BOURNVILLE we were given the simple task of being given - for example a piece of ORANGE and a piece of GREEN card…that were ‘complementary colours’ as in direct opposites upon the colour wheel…and you had to use them to create an abstract pattern, by cutting out different shapes…and then you had to call it an EMOTION…more difficult than it would seem.
The GRAPHIC DESIGNER told me that I had ‘got it wrong’ every single time…none of my work ‘worked’….in her opinion. Yes, but it worked for me - so what was her big beef? I related those particular complementary colours and patterns to particular emotions…there was no ‘right or wrong’ about it…
I must have been outing my colour-coded programming by TODDY et al…at the time…but I didn’t realise it…
…for example, with light turquoise and purple…I cut out a large ‘thought bubble’ and then increasingly smaller bubbles in PURPLE…then stuck them onto a TURQUOISE rectangle background…with the big bubble at the bottom…and the smaller bubbles above…as if some massive PEBBLE of AIR was being immersed underwater and letting off smaller bubbles of air…and I labelled this piece of DEPRESSION.
The teacher told me off for that one…not how she imaged the two colours at all…I had got ‘it’ entirely wrong and she dismissed it, with a wave of her hand.
I knew I hadn’t - and that was a key point.
It was all about ill cult colour-coding.
…and about being dunked in water, drowned and then resuscitated.
Therefore after that woman’s classes….I figured that GRAPHIC DESIGN was not for me…and ended up at DARTINGTON.
Anyway, back to MARK R and his fascination with COMPLEMENTARY COLOURS upon a wheel…he wasn’t satisfied with that one…he wanted more…he decided to incorporate the ASTROLOGICAL WHEEL into it…and that meant ADJACENT COLOURS….
I only have a vague idea of how you have trines, sextrines or sextuplets for all I know in drawing up an astrological chart…but there is some quasi-geometry going on there…(even though most ill cult slaves have had their real time of birth and birth date, hidden from them - their birth certificates are BRITH ones…and yes I keep on typing BRITH instead of BIRTH and having to correct myself)…
BNEI BRITH
So MARK R was looking at colours upon the WHEEL which are one 1/3 apart…¼ apark…I meant apart…
…using the astrological way of measuring distances between 'PLANETS' in the astrological houses…
So let me put it this way…if your astrologer is any good…it is because they are telepathic and can SCAN you…the chart that they have drawn up is an aide and basically total rubbish…what more can I say?
Remember the chubby, gay guy on breakfast time TV? He was a really empathetic telepath…he knew that ASTROLOGY was all bollocks but also, that it was simply a necessary ‘tool of the trade’ which helped you to concentrate upon that person in relation to different categories as represented by the different houses of the CIRCLE.…in order to give people a ’reading’ and to help people to feel better about themselves, as in their real selves and their likely futures…RUSSELL GRANT.
More importantly - MARK R will have used some crazy system of ‘colours upon the wheel’ in relation to ‘astrology geometric categories’ in order to create that frequency program for ANGLESEY…so anybody who really knows the astrology geometric system within a CIRCLE…and about frequency/colours…will be useful.
i can remember asking certain intelligent people within SCARLETT's rebel group to learn how to draw up astrology charts...without telling them why, to cover my tracks...
...and you might ask my mother's old professor of medicine but sadly I cannot remember which specialisation - at the central B'ham hospital about his lifelong hobby, relating to tracking, tracing and monitoring LEYLINES across the BRITISH ISLES...he used to work on it, in his spare time i.e. when he had an odd moment at work and when nobody was looking...
Friday, 25 February 2011
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