That KILN in FRANCE...she explained to me (although the 'figures made no sense') how it worked...you had to have a far more powerful electricity source...so Dad had to ring up the FRENCH department concerned...whoever it was...in order to get electricians in to re-wire that plug...so that the KILN was powered to the right level...

It all sounded highly dangerous to me - but they are both scientists...they know the theory and the practice...Dad put together a RADIO and STEREO system from scratch - every single part...when I was about 9 years old...watching him do it on the living room carpet and handing him the pieces...

I am so sad that all I ever turned out to be was a 'useless art student'...

At heart, I had always wanted to be like them...but was 'channelled' a different route...

...and then used for my remote-viewing abilities to 'see energy patterns'...

I bet ROZ feels a similar type of thing...she studied LAW which was slightly more useful but there you go...

I presented the CRAZY COMPANY with the 'icing on the top of the cake' (which the ill cult called the 'licing') and that was 'scientific' in its way, in relation to ART and the subconscious minds of ill cult slaves throwing up their programming in surrealist ways - and that involved:

COLOUR-CODING

The fact that the human brain when working at its lowest brainwave level (according to COLLIE) - simply recognises OUTLINES...that is all.

"That is why MATISSE is so important" says GILL.

...and that French artist...no, he was SWISS but everybody told me that he wasn't...my father had a print of his upon our kitchen wall at 14 ST BERNARDS but then I never managed to place it anywhere...

"a TODDY forgery" says GILL.

Oh dear.

It looked like a BUTTERFLY with a few other odd shapes around it.