http://www.fluideglacial.tm.fr/

FLUIDE GLACIAL - i recognised the style immediately...this is the style upon the front of the comic book...but the cartoon strip about the FOETUSES/ALLIGATORS was by a different graphic artist...in fact the comic book that i am thinking of - is a compilation of 'adult stories' and highly diverse...in terms of graphic designer and type of story...

http://en.wikipedia.org/wiki/Le_Canard_enchaîné

I cannot remember anything this morning...of course, it was LE CANARD ENCHAINE which most probably rips the piss out of ATTALI because it is well-known to be French humour about the joos...I guess the French don't put up with accusations of 'anti-Semitism'...and that is why LE PEN is so popular...I know so little about French culture...

The joo is apparently the 'CHAINED DUCK' in French society...PENTAGON 'duck' programming? CAROLINE'S BLOG made it clear that they thought that ATTALI was a CIA plant...

Le Canard enchaîné (English: The Chained Duck or The Chained Paper) is a satirical newspaper published weekly in France. Founded in 1915, it features investigative journalism and leaks from sources inside the French government, the French political world and the French business world, as well as a large number of jokes and humorous cartoons. It has a circulation of 446,000. It is one of the most respected and oldest French newspapers despite its satirical tone.

Contents [hide]
1 Presentation
2 Scandals affecting Le Canard enchaîné
2.1 The "Plumbers' affair"
2.2 The Robert Boulin affair
3 Famous investigations
4 Ownership
5 Le Canard enchaîné in popular culture
6 See also
7 References
8 External links

[edit] Presentation
The name itself is a reference to Radical Georges Clemenceau's newspaper L'homme libre ("The Free Man") which was forced to close by government censorship and reacted by changing its name to L'homme enchaîné ("The Chained-up Man"); Le Canard enchaîné means "The chained-up duck", but canard (duck) is also French slang for "newspaper"; it was also a reference to French journals published by soldiers during World War I.

The Canard has a fixed 8 page layout. Pages 1, 2-4 and 8 are mostly news and editorials. Page 2 is anecdotes from the political and business world. Pages 5-7 are dedicated to social issues (such as the environment), profiles, general humour and satire, Cabu's "Beauf" comic strip, and literary, theater, opera and film criticism. One section, called l'Album de la Comtesse, is dedicated to spoonerisms.

It was founded by Maurice Maréchal and his wife Jeanne Maréchal, along with H. P. Gassier.[1] It briefly changed its title after World War I to Le Canard Déchaîné (the duck without chains, or "duck gone mad" in slang), to celebrate the end of military censorship of the press. It resumed the title Le Canard enchaîné in 1920.

It continued to publish and grow in popularity and influence until it was forced to suspend publication during the German occupation of France in 1940. After Liberation, it resumed publication. It gained its 8-page format in the 1960s.

Many of the Canard's early contributors were members of the Communist and Socialist parties, but it shed its alignment with those groups in the 1920s. Its current owners are not tied to any political or economic group, although it does tend to have a left-wing political bias. It now fiercely defends its independence against any alignment, and has gained a reputation for publishing incriminating stories and criticizing any political party with no preference. It is also fairly anti-clerical and lampoons the nobility. The Canard does not accept any advertisements. In the 1920s, it used to publish free advertisement for Le Crapouillot, another satirical magazine created by Jean Galtier-Boissière, a friend of Maurice Maréchal. Similarly, Le Crapouillot was carrying free advertisements for the Canard. The relations between the two magazines soured during the Spanish Civil War as Maréchal was supporting the republican government of Madrid, while Galtier-Boissière was strictly pacifist.

The Canard is notable because of its focus on scandals in French governmental and business circles, although it does also cover other countries. Although they became more aggressive during François Mitterrand's presidency, major French newspapers are traditionally reluctant to challenge government corruption or pursue embarrassing scandals (the rationale being that revealing political or business scandals only profits extremists of the far-left or far-right); the Canard filled that gap. The Canard publishes "insider knowledge" on politicians and "leaks" from administration officials, including information from whistle-blowers. Generally, the Canard is well informed about happenings within the world of French politics. Its revelations have sometimes brought about the resignation of cabinet ministers.

Some of the information published by the Canard clearly comes from very well-placed sources, likely including ministerial aides. Charles de Gaulle was a frequent target; he was known to ask, "What does the bird have to say?" (que dit le volatile?) every Wednesday – the day Canard would roll off the presses. There are often verbatim and off-the-record quotes from major politicians, including the President and Prime Minister, usually aimed at another politician.

Although the Canard has recently improved, its international coverage was spotty. It relies mostly on leaks from French government services and reports from the other media.

The Canard also publishes satirical cartoons and jokes. The factual and jocular columns are cleanly delineated.

Famous are the weekly bogus interview "interviews (presque) imaginaires", its weekly profile ("Prises de Bec"), its "Journal de Carla B." (a section presenting in a hilarious way an imaginary diary of Carla Bruni, describing her bohemian-bourgeois reactions towards events involving her husband, President Nicolas Sarkozy), its famous sections of press clippings (typos and malaproprisms found in the French press) "rue des petites perles" and "à travers la presse déchaînée", its two most absurd or incomprehensible sentences of the week by politicians the "mur du çon" and the "noix d'honneur", as well as its infamous "Sur l'Album de la Comtesse" section of hilarious cryptic spoonerisms. During the 1960s, André Ribaud and the cartoonist Moisan created a series La Cour which was a parody of Louis de Rouvroy, duc de Saint-Simon's Memoirs on the Reign of Louis XIV. Charles De Gaulle was turned into the king, and the deputies and the senators into courtiers. Thus, in La Cour, François Mitterrand became the ever scheming count of Château-Chinon. In La Cour, the king would address his subjects through the mean of the étranges lucarnes (strange windows), a phrase De Gaulle had employed about television. After the death of De Gaulle, La Cour became La Régence with Georges Pompidou being the regent. This followed the Memoirs of Saint-Simon, which also extend into the Regency of Philippe II, Duke of Orléans that followed the death of Louis XIV. After the death of Georges Pompidou, La Régence was stopped.

The Canard also reports on topics affecting the general population: scandals in industries (workforce, safety issues), miscarriages of justice, bad behavior of public administrations and services...

As with the British satirical magazine Private Eye, it has its own language, jargon and style. In particular, it has nicknames for politicians and personnalities. Some examples include:

Charles de Gaulle: Mongénéral, Badingaulle (after 13 May 1958, an allusion to Napoléon III)
François Mitterrand: Tonton [Uncle] (the codename used by the French Secret Service in charge of his protection)
Valéry Giscard d'Estaing: Valy, L'Ex (after 1981)
Raymond Barre: Babarre
Michel Debré: L'amer Michel [Bitter Michael] (from the popular rhyme La Mère Michel [Mother Michael])
Michel Rocard: Hamster Jovial (an allusion to a comic by Marcel Gotlib in reference to his past as a scout)
Robert Hersant: Le Papivore
Christian Estrosi: Le Motodidacte (a reference to his past in motorbike racing)
Jean-Pierre Raffarin: Le Phénix du Haut-Poitou
Jacques Chirac: Chichi, Le Chi
Bernadette Chirac: Bernie
Nicolas Sarkozy: Sarkoléon (A portmanteau of Sarkozy with Napoléon)
François Hollande: Monsieur Royal (a reference to his one-time life-partner Ségolène Royal)
Jean-Pierre Chevènement: Le Che
As of 2004[update], the publisher of the Canard is Michel Gaillard, and the head editors are Claude Angeli and Erik Emptaz. The Canard's cartoonists include:

André Escaro
René Pétillon
Cabu
Jacques-Armand Cardon
Lefred-Thouron
Delambre (see http://www.delambre-cartoon.com/)
Martin Veyron
Kerleroux
Carlos Brito
Wozniak
Guiraud
Ghertman
Pancho
Past cartoonists included:

Jean Effel
Moisan
Jacques Lap
It also publishes a quarterly magazine, Les Dossiers du Canard, dedicated to one subject, usually one affecting French society, or world events as seen from a French perspective.

[edit] Scandals affecting Le Canard enchaîné
[edit] The "Plumbers' affair"
On December 3 1973, policemen of the Directorate of Territorial Surveillance (DST), disguised as plumbers, were caught trying to install a spy microphone in the directorial office of Le Canard. The resulting scandal forced Interior Minister Raymond Marcellin to leave the government, though it is said that Marcellin was a scapegoat for other members of the government, especially the Defense Minister, who was intent on knowing the identities of informers for the newspaper.

[edit] The Robert Boulin affair
A series of articles accusing long-serving Gaullist minister and possible Prime Ministerial candidate Robert Boulin of involvement in dubious real estate deals was followed by Boulin's mysterious death (October 1979), presumed to be suicide. Following his death, major officials publicly accused Le Canard enchaîné of the moral responsibility for Boulin's death, and there were broad hints the government might use the reaction to the Boulin death to seek stricter libel laws, as was done in the 1930s after the suicide of Roger Salengro.

Jacques Chaban-Delmas, then President of the National Assembly, who had been politically identified with Boulin for many years, told a special memorial session of the assembly that it should "draw the lessons of this tragedy, of this assassination". After meeting with President Valéry Giscard d'Estaing, Prime Minister Raymond Barre called for "meditation upon the consequences of certain ignominies", and spoke of "a baseness". President Giscard d'Estaing also added to the criticism: Boulin, he said, "was unable to resist the campaign of harassment he was subjected to. Public opinion should severely condemn any other similar campaigns."

[edit] Famous investigations
Marthe Hanau affair (1928)
(French) Albert Oustric affair (1930)
Stavisky Affair (1934)
Cardinal Jean Daniélou's death in the house of a prostitute (1974)
Bokassa's diamonds (1980s)
The Canard fought to bring to light evidence of alleged corruption during President Jacques Chirac's tenure as mayor of Paris. (see: Chirac's role in Parisian corruption scandals)
Yann Piat Affair (a former Front National far-right MP, assassinated on February 25, 1994)
(French) Contaminated blood scandal (1990s)
Affair Elf-Dumas (1998)
The Canard made efforts to uncover the Nazi past of former Paris chief of police Maurice Papon.
The revelations of the Canard on Finance Minister Hervé Gaymard's lavish state-funded apartment led to his resignation in 2005.
[edit] Ownership
The Canard is published by Les Éditions Maréchal - Le Canard enchaîné (Maurice and Jeanne Maréchal founded the Canard), which is privately owned; the main associates are Michel Gaillard (CEO and director of publication), André Escaro, Nicolas Brimo, Erik Emptaz and employees of the newspaper.

Due to it not accepting any advertisement (not relying upon sponsors), being entirely privately owned (ditto) and all its publishing costs being covered by its selling price, Le Canard Enchaîné is considered one of (if not the) most objective French publication - hence its continued existence. However, due to its budget constraints, it can't afford to distract itself from its main media (paper and ink) and is barely present on the Web.

[edit] Le Canard enchaîné in popular culture
In the film L'Armée des Ombres, directed by Jean-Pierre Melville, the character Luc Jardie (played by Paul Meurisse), while in London during the Occupation of France during World War II, imagines that his fellow countrymen will be truly liberated when they will be able to see American films and reread Le Canard enchaîné, alluding to the censorship of the Vichy Regime.
In the TV film Notable donc coupable(2007) (translation: Well-to-do, hence guilty), the fictional weekly Le Canardeur is modeled after Le Canard enchaîné.
[edit] See also
Political scandals in France
Private Eye
[edit] References
1.^ Laurent Martin Le Canard enchaîné Flammarion, 2001 ISBN 2080680412
[edit] External links
Official site (in French)
A site about the Canard enchaîné (in French)
More on the history of the paper (in French)
Le Canard enchaîné (Lille School of Journalism)