Anyway, I went into CLACTON LIBRARY today and saw a ‘new exhibition’ poster up….on the first floor…so naturally I went up to have a look…

…and to my surprise….I was confronted with the WATERCOLOURS of HELEN RODWAY’s husband:

MICHAEL WILLIAMS

How funny was that?

I tried to analyse them a bit…but all I could come up with was…I was at BOURNVILLE ART COLLEGE at the time….and I was looking at different artists and how they painted, how they used paint in terms of ’the amount of paint on the brush/ brushwork etc etc’ to give them more ‘freedom of expression’ in terms of what they wanted to say - as well as doing ‘surreal and abstract‘ compositions…

….this was an historical way of simply mastering another ‘tool’ in a toolbox of techniques in order to find out ‘which one you liked’ as an amateur or professional artist….and as I now know…real artists were trying to escape the ill…but their pictures were bought and turned against them as programming materials….you see ill cult programming was so SUBCONSCIOUS and SUBLMINAL that for the most part, people could only approach it in ‘dreams’ and ‘artwork’ around dreams/nightmares….and that was an ARTIST’s domain…which the ill were trying to DOMINATE in any way that they could…

MIKE WILLIAMS was interested in what I was learning...on my own time as much as at college...to come up with watercolours that he considered far superior to anything that i could produce....and told me so - I was an amateur....apparently not even that...he was a professional...

Anyway, MIKE WILLIAM’s watercolours are tightly controlled…I can remember the light orange flower as being of HELEN RODWAY for some reason….

RIMINGTON wanted me to ‘get my own back here’ upon this guy…who had once attacked me for having ‘no skill at all’ in GRAPHIC DESIGN…as you can see from his efforts….well, enough said…

…however they are interesting enough to earn a ‘note’ in this blog…

Why are they there - at this point in time?

As an ‘un-named artist’ exhibition’ at CLACTON LIBRARY?