Wednesday, 1 December 2010

“I’m so in love with you, I’ll be forever blue, but you give me no reason, why you’re making me work so hard - why you give me no SOOOUUUL…”

Who sang the above?

It has been going through my head since yesterday. I loved that song -at DARTINGTON and played it constantly….because it represented what I was feeling at the time…and probably in relation to MARTIN GILL and the ill cult in general.

NO SOUL - the DEVIL’S CONTRACT - slavery - working for the ill cult for free.

SOUL…I was thinking about that this morning in relation to ROZ’ writing…how my mother and VICTORIA BECKHAM and many others (men as well as women) loved her work…because it has SOUL…

I then thought about FISH programming and decided to buy SOLE today.

I couldn’t find any SOLE at all - in the fish section of SAINSBURYS or in their ‘frozen fish’ section…until I finally came across a fish called BASA.

I then flashbacked to PRINCE WILLIAM deciding that he wanted to ‘phase out’ SOLE as a fish - to be bought and sold in this country…and so the ill cult at the TEMPLAR CASTLE got to work on that one…they decided to say that stocks were severely depleted…they could turn it into a ‘protected species’…and finally PRINCE WILLIAM decided to change the very name SOLE to BASA.

Why? Obvious DEMONIC reasons - get rid of SOLE/SOUL as a word - because it would remind people that there had once been a concept of the human soul…and the word SOUL/SOLE….would remind them of it.

Upon that note - GUARDIAN ANGEL began because PRINCE WILLIAM wanted to hide the fact that there had been an UNDERGROUND MILITARY ill cult base under that mountain…and GILL was put in charge of covering it up…I added the idea of ‘harrier hens’ as a protected species…he thought that one brilliant and got two in there, in to a nest - immediately….in fact he had the idea of that particular type of bird, whatever it is…my idea was more general in terms of animals and birds…just set a few loose on the mountain and call the respective ‘concerned’ agencies, to do the work…

HARRIER JETS or ‘hens’? It makes you wonder…doesn’t it…

Anyway, if you want to protect your local ‘animal sanctuary’ from the bastards who want to build TESCOS/MILITARY BASES/FLYOVERS/AIRPORTS upon that ground…you now know what to do…get a few protected species in there, fast and save our country from ’takeover’ by these multi-national monsters.

OTHER NOTES:

Today had several themes running through it:

IRISH CATHOLICISM
IRISH GANGS OF NY
MI7
‘SOUL’/SOLE programming

Let me go back to TOIBIN - I remote-viewed him, out of interest - meeting the lovely women, of his family - who welcomed him back warmly, with open arms…along the lines of ‘we never knew you had a heart - come into my arms, you beamish boy’ and they hugged and hugged him, kissed him - overjoyed that they had been ‘wrong‘ all along…the little snerk managed to go red with embarrassment and grinned nervously in ’gauche’ movements and general awkwardness - and I could tell what he was thinking, without even using telepathy ‘I hope to G-d that they don’t find out’…

They’ve found out.

TOIBIN must have had direct links to the IRISH contingent - within the GANGS OF NY - either part of the ‘family’ or he had ‘earned it’ according to the ill cult. The latter is far more likely.

I hope they now suitably ‘beat him around the head’ for it - metaphorically, of course.

Today has been about ‘outing’ another J K ROWLING from the stable of ‘actors/actresses’ that MI7 runs.

Let us hope that the more I ‘out’ upon this blog - the more the ill will think, at least twice about pretending that they have written novels, when they know full well that they haven’t. TOIBIN was under no illusions. I have to feel sorry for poor old ROWLING - she was such a mind control slave that it is highly unlikely that she ever recovered enough of her ‘mind’ to know fantasy from fiction - in a very real sense of the phrase. She had a talent for graphic design - she should have been allowed to pursue that one.

Let us now move on to IVAN KLIMA.

In PRAGUE 1995 - I attended a ‘talk’ by one of the CZECH REPUBLIC’s most popular authors (well, he is internationally)…and the CZECHS quite like his work, unlike the other ‘most famous author’ - whom they tend to hate and do not buy his books.

I had read at least 6 of his books…the lot, up until that point and I had isolated a ‘common theme’ which runs as this:

ACADEMIC/SCIENTIST working in LAB/COMMUNIST OFFICE /UNIVERSITY etc…is happily married to a BEAUTIFUL/EXCEPTIONAL/PERFECT WIFE and they have a perfect child/children and perfectly happy ‘Communist‘ life…until that is, he meets MAD/WILD CHILD…a very annoying character who can ’appear’ and disappear’ at will - and she then becomes the FEMME FATALE of his life…she is also BEAUTIFUL but on the other hand, she is also MAD - what a ‘downer’ eh?…but that makes the SEX so much more exciting, doesn’t it?

MAD/WILD CHILD always ‘drives him to distraction’…he compulsively seeks her out…she is always ‘just out of reach’…and then with a flourish of the PEN/QUILL…

IVAN KLIMA ‘knocks her out’ at the end of his books with a ‘she mysteriously disappeared’…‘she committed suicide‘…‘her dead body was found‘…‘somebody murdered her’ etc etc….what an easy way to get rid of such a ‘troublesome element’ within the ‘perfect marriage and perfect life’ eh?

In the PRAGUE BC DTO - I used to complain to other women staff…that I couldn’t help reading these novels…they were TRASH to my mind…completely and utterly sexist…yet I was compelled to read them…an obsession with reading every new book…JUDY had read every one - but nobody else showed much interest…but none of them appeared to like CZECH literature anyway. I was the only one who had ploughed through all English translations as far as I know…apart from KEMPSON…who like my father, agreed that KAREL CAPEK was THE author to read - if you wanted to ‘know’ anything at all. The most ‘highbrow’ author of the lot - who knew the most - and wrote about it - including the word ROBOTNIKS. I tried CAPEK for a while…but it is really a stressful thing…a real author…historical detail and arguments between real characters…(and I know that MARK R screwed CAPEK’s last book - as far as I can remember…re-edited it, at MI7 and then used it as programming materials - in fact, it is highly likely that he did this to all CAPEK‘s novels - so get a firsthand CZECHOSLOVAKIAN antique copy and translate - if they haven‘t all been consigned to the FARENHEIT 451 bonfire of MI7 - courtesy of the ROCKEFELLERS)…

That was my one quibble with ROZ’ novel: BROOKLYN…whilst she was writing it at great speed…she hadn’t enough HISTORIAL KNOWLEDGE/DETAIL…so we invented ways of getting around that one (set it in a bar- that scene - this is fiction - make up a name - okay I‘ll find out what the real name of a bar, down that street was)…and that is why it wasn’t in the class of somebody like CAPEK as literature…because the ill cult wanted to make money - they didn’t care about LITERATURE at all - ROZ had so many other projects to do - and she had been given a DEADLINE to get the novel BROOKLYN written (DEADline meant - if you don’t get it finished, you are DEAD as a slave of the ill cult) …so the novel basically turned out to be about the personal human interplay between people, with enough knowledge of the culture and basic ‘environment’ to get by…the EMPHASIS was upon HUMAN RELATIONS…which didn’t put it into the class of ‘great literature’ but it put it into the class of ‘if you want to have SOUL - this is the book for you’…ROZ knew her subject matter, in a very general way…not by family and ‘roots’ - but by association - having been to a Catholic Girls’ school.

She loved the subject matter…and now I can see a parallel…I had gone to WARWICK and studied gay/lesbian literature as a module in order to study JARMAN…that was my ‘interest area’…ROZ had her own interest area and that was Irish Catholic/mafia….and I would guess that she probably got closer to the ‘heart of the ONION’ than I did…

The TASCHMANNS…Anglo-Irish aristocracy…’BILL AND TED’…

OTHER NOTES:

Anyway, I went along with JUDITH ELLIOT during a ‘literary festival’ in PRAGUE - to listen to KLIMA give a very boring speech about his novels…in fluent English - he answered a few equally boring questions in English, from the floor - and that was that. I wasn’t satisfied. I got JUDY to go up to the front with me, to have a chat to this guy.

I had been put into a child alter by MARK R at the time…he was ‘stage-managing’ the whole event - with his fake author IVAN KLIMA up front…

JUDY chatted jovially to KLIMA who was obviously flattered by her attention…and then, in a rather direct and probing way - my first simple question to KLIMA was…along the lines of:

“There is a general theme running through your books -academic with perfect wife and children - meets wild child woman - has an affair - and she then dies horribly’ - did that happen to you in real life?”

KLIMA looked at me mutinously and then said “I am sorry, my ENGLISH is not good”

I tried again - several times. He answered the same.

MARK R then told his ‘men’ to move in…from the back of the hall…he had spotted that something was wrong…’HENRY’ had goofed it up again, for them…and he was laughing.

Yes, I later on, learnt that MARTIN GILL had penned those IVAN KLIMA novels (in ENGLISH but then translated to CZECH)…all upon the same theme…and that MARK R then had to get MI7 to do a big ‘re-write’ of them all…and to republish them…but if you have the originals…I would say that they are very valuable items indeed.

I told COLLIE of the above - circa 2003 - she then came back, to tell me that ONLY ONE of the novels that KLIMA had written - fitted the ‘basic plot’ above…she was bemused…she wasn’t telling me that I was wrong…but on the other hand (obviously I was ‘mad’)….that was the implication. I had got my ‘facts’ wrong.

No, I hadn’t. I had made a careful study of each book and isolated the main plot from each.

The novels were then re-written and released. Where possible - the originals publications were destroyed. Not that hard because CZECHS didn’t tend to read that type of thing, anyway…and a very limited number of ‘internationals’ read CZECH novels anyway. The ill cult and particularly MI7, had unlimited funds to ‘do what they wanted’ pretty much.

Reading the KIMA novels published by an English press, in translation and sold at a bookshop upon NARODINI UL. (National Street) not far from the British Council….I had likened them to MILLS & BOON…they were in that funny genre that one might call EXTREME SEXISM…but are quite entertaining in their way…you know the format…you know what to expect…but you also hope for a TWIST…something new…a slight deviation from the original…and of course, you always get it…

However, unlike MILLS & BOON there was never any ‘happy ending’….just horror and/or death for the wild child woman…and you were supposed to sympathise with the ACADEMIC…who then went back to his books and his ‘beautiful wife’ who was ‘ever-accommodating’…and ‘loving’…

Now I can begin to glimpse the state of ‘CLASS ‘A’ DRUG MAN’S MIND’ during his early 30s, whilst working for MARK R.

‘HENRY’ was the ‘wild-child’ that didn’t make any sense to him at all…MARTINE was in hot pursuit of HENRY…HENRY was her obsession…

…but to GILL…the ‘gay-boy’ part of 3 MONKEYS…the scientist and engineer…the whole thing was macabre…insane…so he wrote fiction about it….under the wise mentor MARK R…who had told him to spiel it all out…his guts on a page…

Now a scientist is going to write, according to the way that he sees the world…and he will identify ‘emotional problems’ and ‘problem relationships’ with SCIENCE…you just keep on writing stories until you ‘get it right’…upon the same theme and plot, like a ROBOT in a way…but on the other hand - you have isolated the problem and you are not going to be swayed from it and so you try to see it from ‘different angles‘ but it all ends up the same thing and you get very frustrated…

This is because your ‘frame of mind’ does not encompass WIDER CIRCLES of being able to look at what you see as ‘dysfunctional’ in your life…after having isolated the problem and looked at it microscopically through many different lens and also from many different angles…you then have to DRAW BACK…and look at wider and wider circles…until you ‘get it’.

Such is life.

I am describing in the above - what is the best way that I know to gain knowledge - in either SCIENCE or in LITERATURE. The two must go ‘hand in hand’…you start off with identifying the problem by microscopic analysis, and then different viewpoints…you then move on to the overall view - the big circle around it all…and if you don’t get it the first time…take a wider view and a BIGGER CIRCLE…and then you expand the circle until you ‘get it’…and you will find that in the end, you are looking at life, the universe and everything - within the equation that you have drawn…and it is worth it - because it is REAL KNOWLEDGE.

(Read the novels of J G BALLARD - my father used to point him out as having the 'same old theme' to his novels - an ill cult class is out of control and obsessed with GAMING - they use 'ordinary people' to construct their 'terrorist games' etc etc - yet BALLARD as well as GILL - didn't draw a 'larger circle' - they were simply pointing out a problem, to a public that wasn't interestedd in finding a solution for them - you have to work on your problems, share them and if nobody answers, you then create your own solutions - by drawing the BIGGER CIRCLE).

OTHER NOTES:

So how did MARTIN GILL ever manage to write novels in a first persona, that made him sound like a CZECH academic/scientist in a USSR lab?

Answer - quite easily - his child alter had been taught to be that - a Communist scientist for the NWO.


MARK R then employed a Czech scientist to add in a few details but ‘not much needed changing’ HULBRUSH was to tell me - at the CIA LAB.

OTHER NOTES:

THE SUN IS UP crew…BLUE TILE ROOF website.

Yes, MARTIN GILL had woken up to all of the above…and had decided that it was time to ‘change his ways’ and to get rid of that extremely sexist view of myself and HENRY ‘as wild mad child’ whom he was ‘compulsive’ about and didn’t know why…

He therefore decided to become FEMINIST and to ‘out’ every single case of potential ‘female abuse ‘in MANGA CARTOONS…

…and as usual I ‘shot myself in the foot’ by telling me:

Words to the effect of…you know I got to like/love/see you as ‘normal’ in your ‘CLASS ‘A’ DRUG MAN’ sexist and extremely MACHO personality….I hate myself for it - but without that façade…I begin to see you as ‘weak’…I liked the whole show of MARTIN swearing his head off and putting people in their place…he was severely intimidating…and I liked to ‘stand behind him’…’my hero’.

He could make the 6 foot 4 and muscle-bound TOMLINSON quake at the knees…just by shouting down the telephone at him…

The MOB loved GILL…and they never seemed to mind when he went into a bout of extremely violent swearing at them…they used to openly smile…such is life…MARTIN GILL, the same as ever…all is right in the world, isn’t it?

Poor MARTIN - I can see, that either way - in terms of our ‘relationship’…he was trying to improve it…but I couldn’t see the wood for the trees…”I rather liked you as that - I got ’used’ to it - this is just ‘different’ that’s all”…

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