OTHER NOTES:

i was to watch THE CONJURING last night...to remember the following...the film had been made and coded out accordingly by emet and others (combined intelligence forces e.g. sharon was to help with the coding - along with the FBI)...i.e. those who had known what had happened in the artists' colony in jerusalem...see previous notes.

the most important thing that i had to remember....let me begin with the musical box underneath the pink/white parasol...which tomlinson had known about....and conflated with 'those who sat under the pink/white parasols'...along the streets of jerusalem. "is that what they used?" CIA caitlyn was to muse, later on - and so yes, that had been a genuine programming artefact - featured within the film....anyway, when one of the characters looks into the mirror of the opened musical box...and you can see a 'picture upon the wall' within the reflection...emet was to tell me to remember DISRAELI - as if a portrait of disraeli were 'in the frame'....odd that, because you see i had asked sharon about disraeli....and he didn't appear to know that the UK had had what most british people were to call a jooish prime minister ...although he wasn't quite that, was he? anyway, sharon didn't appear to recognise the surname DISRAELI, at all....

...and the code for the above...CON-JOO-RING....along with a code that my father had thought up...D'ICI....pronounced 'dix-say'....the name SADIE appears in the movie....DEE-SAY-DEE....DIS-RAY-LEE...go figure - it worked, that is all i can say...

along with tomlinson's DRESSAGE...and the FROCKS...french-octopus programmed....FR-OCKS...and the 'frottage'...see previous notes and yes it had been tomlinson who had confused me utterly in order to set a memory aid...i.e. to use the word 'frottage' instead of 'dressage' for horses....

what else in terms of coding? well the FBI knew what 'this one' was all about....how do i explain it simply?

well firstly i will have to set the scene...."you need to go in and talk to your friends" sharon was to tell me...outside of the artists' colony...so i went in to have a chat with MI5.

...and what was 'that one' all about? well emet was already on the trail of that man who had tried to gain control of colin and i 'at the end of the road' and near to a US military installation. emet and israeli intelligence were to find out that three men had been involved...colin had identifed that man's accent as being Mexican (or south American at any rate)...however the other two, in his gang....had been a lithuanian-with-polish-connections-going-back-to-brzezinski...and a french man. the three were conducting a 'through the side door' mind control slave trade....

only the lithuanian was jooish...israeli intelligence then said to US intelligence that they would divide up the research work along the lines of "give us the lithuanian - you can have the frenchman and mexican"....and so it was....as far as i know....despite MI5 asking to have more...input, let us say...in relation to the interrogation/deprogramming of the lithuanian...

anyway, emet's answer to the above...is coded out within a trailer for the film GRAVITY - upon that THE CONJURING dvd....the lithuanian had been a 'space cadet'...outside of that 'side door entrance'....and the suggestion is...that the other two, had also been in 'astronaut mode'....see the trailer to work it out....

...so in brief, what was to 'go on' at the artists' colony building (i shall refer to it as AC for short)?

well as the above 'research' began to happen....that AC building was hit by...what i can only describe as 'bat execution files'....

a couple of men from israeli military intelligence were to join the AC community and set up their equipment - with headphones that look pretty much like what is used in THE CONJURING...

by that point in time, the AC community...consisted of, amongst others...a very senior member of MI5 along with ling (MOD) and her best friend carolyn (MI5), colin and i....brenda as 'psychic cop' - her own description and what she was to pick up in images from us all in that building - was pretty much as terrible if not worse - than what you are made to witness, within this horror movie....

'mr yates/griffith' was to turn up as well...oh i might add that gill also turned up later on....to call 'mr yates/griffith'..."it's MR BBC"....you see yates/griffith had a BBC chip which was extremely powerful...it had picked up that 'US pentagon - spanish intelligence' frequency in Dieppe, for example...as emet had figured it would....see previous notes...

anyway, where were those 'bat .exe files' coming from?

.....from a building that i was to recognise on google maps, the other day....i had just had a look at that 'remoteviewing stone circle' jerusalem scene, on google...to then 'go up the steps' using the google arrow....i was to remember sharon taking me up those very steps....and then in the distance, in front of us....and slightly to the left...a largish rectangular building...with a large amount of satellite dishes/aerials upon it....

the israeli army duo...were to note that after setting up their equipment...every time i went near it...a signal was to come from that 'satellites-on-the-roof-building'....two different signals, to be precise....which is how and why gill was to turn up, eventually...'little martin' had been trying to track and trace me...and he had been using the 'sephardic russian criminal's network' to do so...and the other signal that was trying to get a grip on me? "norwegian intelligence" replies MI5 ONLINE...."a much stronger signal".

...norwegian intelligence using a chinese program...the fullforce of the HOLLIDAY camp was channelling through one of the satellite dishes, on top of that building and it had targeted ours - that AC building....see previous notes.

the israel army duo then called in an 'expert' in these matters...a young chinese jooish student, at the main university, in jerusalem....who had made a study of chinese computer programs, whilst in china....anyway, he was to arrive with 'more equipment' which he then linked up to the army equipment...."that should do it" he said - as he inserted his own disk (with his own computer program) into a tray...a program that he had been working on - which he figured would 'deal with' whatever it was...sorry that i cannot be more precise here...i can remember asking gill if he understood what the student had done....in terms of the mechanics of it...gill was to ask how it worked...the link-up of equipment...but what gill was most interested in - was the actual program-on-disk....obviously but he figured that it was best not to ask, at the time. "ask no questions..." etc etc. "he would have tried to steal it" replies MI5 ONLINE...hmm...he didn't manage it.

...what happened next? ling sat down and put on the headphones (the equipment had originally been placed upon a long wooden kitchen table - where the AC community used to have their meals)...anyway, ling was get the 'full blast' of that holliday/norwegian intelligence number - through those headphones....she let out a bloodcurdling scream...but managed to get the headphones off...she had just fought off a terrible network attack...she then had a nosebleed....i can remember saying "well, i've had bleeding gums since i got here"...to be told off for being unsympathetic.

levity aside...the situation was 'no joke' as farrell, gill and myself knew...farrell was acting as 'daddy' by that point in time...to martin and i...who were in child alters...

anyway, the student then told us all that what had hit ling... had been one of the most powerful hacking tools, that he had encountered...we all knew what that meant...we had to go into 'quarantine'....our networks had been infected....ling then tracked and traced something under the floorboards...it was coming from 'there'...we were to find a device...some sort of receiver....colin was to talk about an MOD device which might stop it....he asked me to 'see' what would happen if we put that MOD device, closeby....i replied "a localised explosion...small"...knowing that it would be a bit bigger than 'small' but if we were all safely 'out of the kitchen' area then it would be all right - you see brenda was extremely 'edgy' by that point in time - and so i figured that she might put the kibosh on it all, if i were to say "it'll take a section of the kitchen floorboards out" .....

seeing as we all had to be in quarantine...somebody else had to bring in that MOD device...a standard model of 'whatever it was'....and sharon was to turn up with it "is this what you wanted?"....

...that MOD device has been coded out as a 'swearword' on that THE CONJURING DVD....

i can remember that dark blue metal box....it had AD and then two other letters upon it....SP or SF? AD-SP...AD-SF...in yellow and black...

anyway, that device was like a planet...(although bog standard equipment to those who knew what it was all about...a battery/recharger/adapter/earthing device - i cannot remember now)....like a planet....a very compact circuit of energy...that attracted other energies to it.... i had seen what would happen...if you were to drop it next to that 'receiver'...

... they made me go down that hole in the kitchen floorboards, to check it all out first...i was then sick...'cat sick' is coded into the movie, in the cellar...along with the theme of a smell of 'rotting meat'...yes, little gill had decided that he was 'kosher' and that he couldn't mix milk with meat - he had put a parcel of meat into a cupboard, instead of into the fridge..."in this heat???!" somebody was to exclaim....

...anyway, the basic idea was this...put the AD -SF by the receiver equipment down there...and the receiver/satellite would 'turn on it' and direct that 'fullforce' at it....the pressure would build up until 'tipping point'....the device would then reverse the energy flow and the receiver would be blown up....which is basically what was to happen...and within 3 and 1/2 minutes...i was counting it 'on the clock'....i can remember brenda getting impatient....along the lines of "it hasn't worked!"...we were behind the kitchen door at the time...brenda wanted to go back in and check....farrell was to say "for the love of God"...brenda was to snap "don't blaspheme!"....to "i wasn't blaspheming!"...nerves were fraying and taut...until after the explosion...suddenly the air was clear...and we were all free again....

nevertheless, the story doesn't end there....a US military man in a light green cap....was to then enter the AC building...he was acting rather like RH - shouting his head off - abusive....bullying.......he tried to pull rank over a senior MI5 man...when in fact the man was rather low down in the US military...emet was online, to say "that's not protocol"....gill had turned a camera on whilst that US military man was striding around the house...bellowing at us all, for having exploded that 'receiver'....emet was to state that the man was a 'twin' of somebody whom he already knew in the US military...much higher up but only of middling rank, let us say...and no, 'green cap' should not have been acting that way to his superior in MI5....which was to make him all the more suspicious....and so i suppose that an investigation was then launched....the only other thing that i know - is that the film is coded out...to show 'chinese looking guy' who turns up to help with the exorcism...makes the sign of 'pigeon alter' and points to a certain finger upon his hand...whilst you see a 'greencapped man' in the background....meaning? that US military man was in 'pigeon alter' and being run by a chip in one of his fingers....

oh and in the film...the crows are cawing outside of the 'haunted house' but it is a pigeon that manages to break in...go figure.

what else? watch 'behind the scenes'...to get what the FBI knew....

...they had worked out the coding of the 'real family' photo 'on the steps'....measure the heights of the girls....and then code the tallest as number 1 etc....now why would you want to do that?

....because ling was to ask her mate carolyn...."you were dealing with that...you must remember the code"....

well it was a simple number code as far as i can remember .....coded into the above....

the 'real family photo' code was: 32451 (the photo had been touched up, of course)

and in the film - the 'beach family photo' code was probably 54231.....i cannot be bothered to go back and work it out - from the comparative heights of the young actresses in the film....

the FBI were also to set ling and her colleagues...the task of identifying "and for maximum bonus points - which one's the boy?" out of the line-up....

OTHER NOTES:

it is terrible though...for little colin.....what harris had done to him, is coded out....in terms of 'the whites of the eyes' - extreme torture during childhood....and for little martin....that black/grey/red picture in the 'demonic artefacts' room...had been painted by gill when young...it was how he had felt - after semi-remembering what had happened to that 'maternal nun'...shot by israeli soldiers...upon that mountainside in ein kerem....gill had only just learned to walk, at the time...

as a young teenager....i can remember martin looking at a 'chinese style' painting that i had done - at about 14 years' old...of a mother and baby monkey, on a mountainside....gill was to say "i painted something like that too"....the pain of being a baby 'deer' perhaps...on that terrible mountain side....motherless...even though one has to say that his adoptive mother 'betty' loved him into the ground...nothing could dispel that early trauma...gill had to keep on digging...all of his life....to find out what had really happened.

....and i had to do so, too...looking after 'baby monkey' was one thing...martine was another....'all of my colours' by japan - the profoundity of 'that one' in relation to so many things - not least what was to happen to japan - see previous notes....

anyway,....gill was my 'starry b/w night cosmos'...i was his 'colourful gaseous galaxies in space'...baby monkey just didn't get it...he appeared to simply want parental attention from gill and i, at the time...which was to have the effect of splitting us up, for a while....see previous notes upon H HOUSE....

...and by the time of what was to go on at that AC building and community in jerusalem...well farrell had become the 'daddy' to martine and henry...go figure...emet had been running all of us, i suppose....