RIMINGTON decided to 'out' PULLMAN with a photograph...see the interview.

PULLMAN was told to use it as a story-telling device and so he did so...unaware that RIMINGTON and TODDY had used it during childhood programming.

The photo is of a little girl upon the lap of her father - upon a stage set. The mother is a 'ghostly face' above them. The stage set has a painted window - it is a board with black lines on it - not a real window. The fireplace isn't real either - there is a sort of min-kiln of BRICKS in front of it.

This photograph was used upon me as a child and it is dreadful.

You were taken to see your father by your programmers - this was at about 2 years old - the adults told that your mother had died and that now you had to be 'little mother'. Note the Russian reference because this is all about of RUSSIAN DOLL programming.

What did being 'little mother' mean?

It meant that your father was allowed to have sex with you - because you had replaced your mother. You sat weeping on his knee - believing that your mother was dead and then he raped you - and you let him - not understanding what was going on. You were then terrorised into not saying a word - given a mind control command trigger - then electrocuted to seal this traumatised 'alter' into a compartment within your mind - to be released upon the trigger.

Secondly, there is no WINDOW because you cannot escape - this is the house of SALO - where children are murdered if they are not unquestioningly obedient. Note the use of the name SALI...SALLY is a jooish occultic name....but we are talking SALO here.

Thirdly, why the mock-up of a KILN in front of the fireplace. The fireplace doesn't work. This is the programming used upon those like MARTINE - you have no vagina - no chimney flue - but you have the FIRES OF HELL. You have the ANUS as represented by the KILN.

That is why the CIA LAB then made 'jokes' to DALDRY about having a BALTI and entering the fires of hell.