Friday 27 September 2024

 .....and what's new this saturday morning, dazzlenation?....another 'new comment'...and let me see - well, 'peter' had seen something but what?....lol...nota bene that it was nothing to do with yesterday or 'me'....lol...hmmm.....more of a f**ked up rodway number....anyway, the following photo had been a memory aid to....how shall i put it...'infinity' and f**ed up dancing on a pin-head, let us say...and we're not actually talking about remote-viewing here....how shall i explain?...more about those who have studied hard...e.g. maths/physics.....or ballet for that matter...."a degree of excellence" replies BI online....and er....well, this isn't a good parallel but anyway...remember mr edwards saying that he finally understood algebra...after his nose had begun to dribble off his face....more laughter....and well, all i can say is that you have to have an aptitude and then training within the subject first, in order to get a glimpse of etc etc..."with the basic intelligence"....i.e. you need a context into which you can put your 'dimensional' experience etc etc...and so if rodway had decided to try her hand at celestial maths tables, let us say.....er...what could go wrong?...on the other hand, it could be riotously funny....a bit like watching those hippos on fantasia....i am reminded of satire and 'cake-walk' here....anyway, on the whole - also a bit like watching the prague rothschild et al - deciding to let the 'tards' run the world because those who were skilled and trained enough to do it, had fallen short....hmmmm....actually, within that context - it's not funny at all...armageddon/apocalypse now, anybody?....go figure:

https://en.wikipedia.org/wiki/How_many_angels_can_dance_on_the_head_of_a_pin%3F

https://pin.it/6LfI9TltW

https://uk.pinterest.com/pin/216876538282714859/

https://uk.pinterest.com/tiffanytomiko/dance/






and so what are we left with here?...the difference between pantomime and the real thing?...oh i remember now....dawn french had got there first...on the one hand - dance as a medium of expression accessible to everybody....for self-expression, exercise, healing etc etc....everything within its rightful context though - regarding scientific knowledge experiments, let us say....the basic idea being that you can copy and paste 'the maths' and large chunks of it but you might not get it quite right - eh, rodway?...but who cares - what a show or something like that...what does it matter....if you lack the discipline to do it well, which i would describe as a 'masculine' quality - no matter what your gender...a bit like being in the army, albeit a self-imposed regime...no frills...nothing feminine...just hard work:



nota bene the 'mirror' and then the connection-without-a-mirror resulting in an infinity hoop....from the macro to the micro.....we have to make that connection....perhaps you might refer to jungian therapy for more details - dazzlenation...or perhaps to mr d'ajani's nephew...an artist who had painted a portrait of the 'dark and the light' side...."there has to be a connection"....to stop you from going to extremes, let us say...the hippos are 'dark' and they are burlesque (a bit like the subconscious and dreams)....they are also the most lovable thing out....they make you love and laugh....the pinpoint white dancer, makes you think clearly and precisely....a difference between emotional intelligence and intellectual intelligence....and you need both - working in tandem, to cirumnavigate etc etc:

additionally, 'laughing at our gods' has a history upon the stage...dating back to the greeks and deus ex machina etc etc...probably a cathartic element in there - when an institution has become 'stultified' or simply unable to etc etc....but somebody like daldry had better take over to explain 'that one':



.....the surprise appearance...and normally with the help of a crane or some sort of lifting machine etc etc and you wonder where 'the wizard of oz' came from?...additionally, i am reminded of gill 'n' farrell's attempt at high tragedy, in shakespeare's antony and cleopatra which had then turned into full-scale farce...rarely have i seen anything so funny, as that scene - regarding that 'lift-shaft' or should i say elevation platform number - to the top of cleopatra's tomb etc etc.....see previous notes upon 'all of that' :

somebody lost their footing?



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