"he was trying to catch out his sister" replies BI ONLINE

 

oh now 'this morning' is beginning to make so much more sense now....

 

so agnieszka kaminsky had never actually obtained a british passport and mark kaminsky was out to get her?

 

now the charity shop scheme makes so much more sense...and i was walking through agnieszka's stage within this ill cult game....

 

anyway, i had a look at the dvds and found an early MARILYN MONROE movie....one that i was to recognise from the CIA LAB....you see, mcdonald had been set the task by mark r, to find a hollywood movie that was pro-capitalist/big business....and do you know what? the only film that he could find was 'the one above'...he looked a bit embarrassed about it all...

 

and yet i wonder why...there was a lot more to 'the whole thing  than that'....yes hollywood is a massive 'big business' industry - highly capitalist and full of mkultra mind control slaves...it is a slave business primarily and a dreadful one at that...however they tend to favour the plotline of 'little man versus big business - wins through'....off the top of my head...you could begin with charlie chaplin...go on to dolly parton in 'working girls' and then julia roberts in erin brockovitch....that type of thing...

 

you can say that is because they simply produce what people will pay to see....but i am sure that there is still more to it than that...layers of the onion...hidden agendas...

 

anyway, i was to have a look at that marilyn monroe movie...realise that the whole 'dumb broad act' was 'more than it appeared'....and then read the blurb upon the back to be reminded of 1980 BI course programming:

 

7 brides for 7 sisters

 

the ill cult programmers had locked us all up for the duration....told us that we were 'snowed in by an avalanche'...this is something around splitting the two sides of the brain....and we all 'went a bit crazyy for a while' until the snow had melted....

 

"sounds a bit like the swiss (during the winter months - in their chalets up alps)" replied somebody from BI ONLINE....yes very amusing....having eaten their 'aztec super cattlefood' - to go mad and then die horribly....

 

you see HOME TOWN STORY has another 'in capitivity' storyline....'trapped in a cave-in' until the 'big business' of that local town - uses their advanced technology to free those 'in the cave'...

 

 on top of that...during the 7 BRIDES FOR 7 BROTHERS programming....the young women were all told to dress up in large ICECREAM COLOURED skirts - and walked through one of the dance routines....see post below about LOU from dartington on that royal academy desk....and those ICECREAM COLOURS...

 

 

and the colours above? i still have a towel that reminds me (albeit faded) of the colours of that odilon redon 'early work' - on display at an exhibition in CHARTRES CATHEDRAL - near paris....one which sarah holliday was to take me to see....and i was to burst into tears upon seeing it but i had no idea why....it was a painting of the marina...all of those little sailing ships at ACCRO/ACRE where the templar castle is, upon the coastline of israel....

 

as an early work...it wasn't in redon's well-known style...ie. the dark canvas with the extraordinarily colourful flowers emerging from it...almost luminous colours...hypnotic in a way....

 

OTHER NOTES:

 

getting back to the screenprint that LOU was shown at the R.A....

 

 

the same too with that 'early work of kandinsky's' which i was to find on sale 'a very limited edition' at the royal academy....about £25 if i remember correctly...i had figured 'this is an unbelievable bargain'...and so bought it - to then give it to my father for a birthday present circa 1998....this is whilst my parents were living in the 'whitehouse' overlooking waterloo bridge....he was to frame it and put it upon the living room wall...

 

....all well and good....except that it wasn't an early work of kandinsky's - was it? it was a clever forgery....and created by the prague rothschild....as with odilon redon - see above....it wasn't in kandinsky's normal style....'an early work before the artist had found his focus'...that type of idea....kandinsky had that strange...how does one call it....the ability to see/hear/smell colours....something around that one....

 

anyway, dibbens had once talked to me about lou at dartington...he had taken his family (as well as lou and ben) to the beach one summer's day....lou had sat apart from them, on the rocks....and simply concentrated upon everything upon the beach...and then began to abstract 'the lot' upon her pad - with a pencil....she never said a word...but then she was almost 'mute' anyway, at that time in her life....

 

once back at college...she had redrawn those abstract shapes and then carefully chosen 'ice cream colours' to fill them in, with....it was all very puzzling....firstly the assessment panel threatened to fail her because she hadn't fulfilled the 'community art brief' that term....secondly they revised that decision and gave her 'top marks'....and for what?

 

i now know that she had been targetted as being able to pick up frequencies that were unknown about - at that time...by royal services....

 

additionally, at bournville art college - a couple of years before....another young student - also 'almost mute' had been able to do the same (she produced the same type of work in 'icecream colours' but in a more impressionist style - using abstracted shapes)....she was to get a place at the royal academy (which normally only ran MA/PHD courses) at around 16/17 years old...i might add that sheila clayton had also gained a place there - at 16 years old....

 

anyway, lou was to turn up at the royal academy to then be given a 'slave position' as a 'broomcupboard cleaner' on a royal services frequency desk.....as a zygote slave...to then be shown that faked kandinsky screenprint and programmed with it....it was on a yellow background and called something like 'man leading his mare'....a man leading a horse....she was also told that it was a JESUS AND MARY painting....and that there was an invisible 'mary' upon the mare...that was supposed to be 'her' as a zygote slave...

 

 and what about sally tallant? well she had ridden upon the back of lou - to the R.A. in order to do an MA in order to qualify herself as a museum curator...she was to claim that she had discovered what lou could do and had run her as a slave to do so...which was absolute nonsense....but there you go....

 

tallant had never shown any interest in museums or curation before that point in time and hated children....so it was surprising to find out that she had become 'head of education' at the serpentine gallery later on....but then she had run the 'fat slags' rothschild desk in totnes....so perhaps it was 'no surprise' at all...

 

OTHER NOTES:

 

anyway, have i explained everything? not quite....a friend of lou's...a member of the rebel group had helped her out...got that screenprint out of her office and downstairs....to be sold in that portfolio of limited edition prints....to be picked up by myself....you see, having been a 'radio witch' at langley seniors (although chucked off it after the 'langley pile-on') and then run by gill to find out about NANKEVILLE's desk at 6th form....and then to meet up with amadeus at dartington and to be given the 'frequency desk' in his office...whilst jade was given the 'pig latin' one....well i had 'some idea' of what was going on...but deeply buried in my subconscious....

 

lou had been drugged everyday...see previous notes upon that lsd 'my beautiful world horror video' (nick cave and the bad seeds) in relation to drugging and glued on eye contact lens....and so she was hardly in a position to attempt to escape, at the time...although that was 'engineered' at some point - as far as i can remember...

 

 OTHER NOTES:

 

on top of that...why did i pick up the video THE FOG as well?

 

i wasn't sure at the time...but now it is becoming clear...having looked at the image on the cover again...it reminds me of NANKEVILLE...perhaps he was supposed to pick it up as 'programming materials' - once out on parole?

 

i mean to say - look at the NOSE...

 

OTHER NOTES:

 

whilst digging up 'all of the above'...i remembered another 'almost mute' young student called allison strachan at essex university...now i had never seen her artwork and so i have no idea...but she was studying the history of art, at the time....i can remember phelps getting annoyed with her one afternoon....because for once, she was actually talking....quite animatedly...phelps was to close her down with a sarcastic "you're chatty today, aren't you?" - she didn't say another word for the whole afternoon....now you could say that this was all about 'the painfully shy' and a common occurrence....i used to be painfully shy at langley juniors but by my late teenage years i had 'got over it' and if somebody said 'you're chatty, aren't you?' sarcastically...well i can remember somebody saying that to me and caroline whereupon i laughed and replied "chat chat chat chat che che che ch-ch-ch" in a singsong voice...ending up sounding like a chugging train....they weren't going to shut me up - caroline and i then continued chatting...

 

CHATSWORTH HOUSE then came up.....and an alter called GABY based upon GABRIEL...possibly the angel 'gabriel'....but i cannot tell you more than that....something terrible around this 'almost mute' alter in relation to ill cult torture...."tongues cut out" replies BI ONLINE...