first up - i had to remember what gill had been planning to do with it...whilst in 'dead sheep' alter...
remember 'drop the dead donkey'? following up by 'drop the dead sheep'...and the next time this program runs...'drop the dead mite'....remember sonia and mark vizard's 'the mighty blog' about MOD evans?
the mighty...mit....mitie....who knows eh?
last night i was bothered by one of those tiny black flies...i call them 'storm mites'....the type that you find drowned in the remains of your cold cup or tea or coffee, later on...go figure.
anyway, gill had figured that he would program himself in as 'one of those'...."on his nazi sub" replies MI5 ONLINE...."talk about magnet house"....well last night as well as the night before...somebody had left the lights on - upon the first floor....emet had pre-arranged that signal as far as i know...and the 'white arcs' were to refer 'in part' to those depth charges exploding in the ocean 'on film'....something around submarines....magnet house and staff....submarine programming....
additionally bibi the heroin addict dead sheep...the river of lethe...the deathly sleep....and DEAD SHEEP SOCIETY....see previous notes upon scarlett programming with DEAD POET'S SOCIETY...."and deadchat"....
anyway, i was given the command to 'drop the dead sheep' by nato, as far as i am aware (another 'division' of emet and mcdonal's US intelligence teams)...which i was to do immediately....oh and that nato general might want to have a look at 'extras' to find a shot of a submarine captain...because whoever it was - who had taken that recent photo of him 'with a plane as a backdrop'....well they had modelled it upon that film shot....
oh and before i begin to have a look at that dvd in detail....'battleship potemkin' was to talk about the misrepresentation of war...in relation to the crimean coast....as well as a 'lady of the lamp'/florence nightingale reference...he was looking for information, you see....and i was to reply "oh that's hollywood isn't it? the rewriting of history"....
anyway, let us begin with the director MOSTOW...who was really very clever...in relation to the circuit board that he had set up 'so many years ago now'...watch extras to 'get' what MOSTOW is really all about...he had realised his own programming....a 'nuclear sub' rather than a 'diesel sub'...and that is why he had wanted to interview 'those who knew how to run sub slaves'....MI6 were to duly send in one of their old actors to play BALME....the actor's real surname is BACON and mr bacon was scared...were they all going to get found out? he therefore talks about a WWII bacon...in order to set himself a memory aid...in case of subsequent memory dump and 'new ID' etc etc....
and what about hannifan? more of the same...another actor.....hollywood might believe that 'most men look like that' at around 95 years old...but most men tend not to look that young - if they are military men who do not believe in multiple face-lifts and lots of make-up....
...and what about kahn? kahn was a norwegian clown...he had been programmed to see his own brain as an 'enigma machine'...he appeared to be as scared as balme/bacon....to then decide to dress up 'like a clown'...just in case - see previous notes..."outing his own programming"....
...and what of mostow? well he had lost his ability to 'hear' properly...a pinplug had done it....he had become tone-deaf....and so he had decided to act fast....
dino, the producer - did most of the directing...and there was something of a 'falling out' between him and mostow...you see mostow had wanted to uncover his own 'lifestory' in relation to ill cult programming and chipping....that is what he had been primarily interested in....and balme/bacon had not realised that he was a programmed 'nuclear sub' rather than a 'diesel sub'....see extras to note the difference between the two....
dino was to relegate mostow to the 'soundtrack'...well, that was unfortunate - wasn't it? the worst point of the movie...which is a very good one...as ross was to say 'in the reviews' upon the back...oh and it had been ross who had shown the movie to both CF and myself... i was at the end of the line, upon that circuit board and so had the overview...CF was caught 'in the middle' - with many connections - perhaps too many..."a bit of a hub"....and was therefore perplexed about the whole thing..."no i don't get it...(entirely)" etc etc....
...let me see...the music....and the 'marriage' reference to the music chosen, at the end (view the film with the director's commentary on) and cross-reference that one, to the trailer...along with 'sometimes things are shown in the trailer which do not appear in the movie'...as in 'a dance with the bride'...what was that all about?
anyway 'matthew' had realised 'his position upon the circuit board'...and his relationship to CF on that board...."i'm TINKERBELLE?...the belle of the tinker?"...he then had his hair dyed blonde.....curled and styled 'just so'....for the interview on extras...along with a lovely silk grey shirt...."just william - prince william" replies MI5 ONLINE.
....the UK marines working for emet...were onto the soundtrack, in a second...particularly the ending....and so yes, they were to trawl through the lot...which is where this information is coming from, as far as i know...what they had found out and then passed back...down the line...
what else?
well i am coming to the most important bit, i suppose...gill as 'bibi the dead sheep'...but before i talk about him....i have to firstly mention 'mad alice at essex university - 1982'....now known as 'baroness ashton'...who had been having an affair with rickson whilst at uni....she was then to fall out with him...to then tell allison stonier, the following....that it was like sleeping with a 'dead sheep'...and as rickson wasn't liked by most people, at that point in time...it went around the SU bar like wildfire...go figure.
...so what was my mission then? to retrieve 'bibi the dead sheep' from the canyoni and run him like a 'wounded sub'? was that it?
...dead sheep....dead holliday ship...i wonder....
...the whole 'dead sheep' number is a heroin reference...those clouds that float off in the sky....those submarines that sink to the deep...."a deathly experience"....which is why the terminally sick-and-in-pain often take it to ease the transition....through the door....mostow talks about 'endorsing' quite a bit...N DOOR SING? "dorsal fins"
anyway, gill was to watch the movie and decide to capitalise in on it...'so many years ago' now...remember the 'paranormal crucible on mars'?
he was going to use various shots within the movie to program in the above....because believe you me...there is quite a bit 'in a submarine of that period'...which looks like a 'paranormal crucible on mars' ha ha ha...
...what had been gill's greatest anxiety? i can remember reading his mind at the time...and it runs like this...
NATO had launched an investigation into 'what lies beneath' NYC...in relation to that 'now melted' satanic temple of gold...and they had discovered the 'gold seam'...which is proof of what i have been saying 'all along'...and gill knew that it was only a matter of time, before the excavation team, got to it...with their WATER PUMPS at the ready - mining equipment...do you now see where that 'piece of machinery' imagery....had really come from?
...and why gill had reacted in the way that he had done....see previous notes upon gill in that satanic temple of gold...his adult alter couldn't handle it at all...he was to pass out...to then regain consciousness....and switch to 'tiny martine'..."basketcase martine"....the child who ran to the 'river of blood' or tank of blood down the centre of the temple...to start drinking voraciously...as if her life depended upon it...martine loved the whole thing...gold, blood, satanism....it was her 'home' in a way...hence her immense grief at losing her friend - the temple guardian...'clara'...off the roof of that jesuit church in paris...
tiny martine had been on a real submarine-to-japan...with george harrison...go figure....and yes you could also talk about 'yellow submarine programming' along with the 'cutting of your vocal cords'....
anyway, i'll return to martin gill...as financial manager at green tower...he must have been into that temple quite a bit, mustn't he? not that he could remember it...but little martine could...it was all a 'new experience' to me....and i was to note 'at the time'...one of gill's acquaintances...tied to one of those gold babylonian statues...being bled to death...because he had either lost the ill, money...or not made enough...either way...do you see the threat, here?...and why gill couldn't sustain consciousness - in his adult alter...whilst in that golden temple of doom?
what else? well i now know why CHP had sent me that HYGROMETER....look at all of the dials in U-571....gill had been planning to use one image as a TINDERBOX image...in relation to the 'great fire of clacton'....nota bene how the dials change colour...firstly you have green and red...then yellow is inserted in the middle...difererent dials of course....but conflated together because they look so similar...
'daniella and marko' reference on extras....remember that, CF? I was supposed to be 'dan yellow' and you were to 'mark O' as if it were a game - where you had to mark a member of the opposite side...a game that you were very, very good at - as it turns out....
...what else? well dino was less than impressed by what mostow was about...a misunderstanding i suppose....you can see why...saddled with a useless puppet director...who you then entrust to do the 'sound' and he even cocks that up....dino was going to report to the studio-in-question that mostow shouldn't be allowed to make another movie...watch how that is 'coded out' in terms of backdrops in extras...sinking sub....sub upright again....mostow was an heir of a studio boss...something like that...oh the layers of the onion, eh? no hard feelings, mostow?
oh and 'WWII photography' was also a topic, wasn't it? yes it is generally 'propaganda' and yes it is all normally staged....but even so...the british marines were to laugh at 'that one' on extras....yes, there was a certain feeling that some of the photos were not as authentic as they might be....and then? does all become clear when one reads that the photos have come from the NSA....who knows eh? who did they buy them off, then?
let me see..the AUBRETIA and the ALBERON doll...i wonder....
...what else....oh and i was to remember the CAMARADARIE and the CAMERA-ADD-AYER/EYRE/AIR-E
...what else? a certain 'still' in the movie...i had been told to 'put the light on and see what you can see' by ross....
well it goes like this....one of richard harris' mates had dressed up as a british submarine commander....at a certain residence in greenwich, in the 60s....after he had impressed us with his credentials..."and zipped his flies back up again"....to then leave the dining room....marr was to whisper that the man had reminded him of certain adverts...relating to the tobacco industry along with LAMB'S navy rum...something like that?
...military numbers, were common in cigarette ads as far as i can remember....the black/gold braided sleeve of a military man, with a cigarette in between his fingers...in front of a load of knobs and dials....
...this will all chime in with johnny depp's input....that film...oh what was it called...the one with the schoolgirl and the 'elite terrorists'....and "we couldn't film upon the steps of that tobacco building and so...." the one overlooking the river thames, in london....
anyway, back to the 60s....richard harris...upon being confronted with our suspicions...was to laugh and laugh...he was rather drunk at the time...the lamb's navy rum bottle?...he was then to applaud us for working it out...yes the man was a resting actor...and was currently working as a tobacco salesman....
...what else? COPPER UNI...PORCUPINE.....and UNIVERSAL STUDIOS....gill had a 'fear' of that one, too...didn't he? i will post up the snips....it is easier to understand 'that one' visually.....is it a black grouse...is it a planet...or is it universal studios etc etc....
...oh and one last thought...upon the ENIGMA machine....along with the nazis/norwegian intelligence having a rethink....along the lines of "let's try an anti-war strategy for WWIII...because nobody will ever guess, will they?"
...the origins of the 'killing joke'....see previous notes.
oh and see that monty python sketch for details...the funniest joke in the world (that kills by making the victims laugh themselves to death)...as used in WWII trenches by the british, according to monty python...in order to defeat the nazis...and what might they have meant by 'that one'? something around the nazi party being 'everywhere' perhaps?...the fifth column...in every country....to the point where it just gets 'silly'....for example - the GREEN PARTY infiltration within the UK....see previous notes.
oh and that helvetia reference...i can remember US intelligence...emet explaining his choice of myself, within his 'special project' in the UK...something around 'helvetia' and 'the swiss hate the nazis...they don't like the joos much....but they are okay about russians'...something like that? he was talking about the main network, upon which i relied....swiss intelligence and interpol....you can also add that i was a 'bucket' upon the system...see previous notes.
anyway, in pictures and in no particular order:
nota bene the background 'colour' of lighting...and the globe:
mr pink and white globe?...let me think...a globe theatre reference?
too much mascara....intentionally so, I suppose...
"and when you turn on the light - what do you see?"
so what was it about the ring, then?
gill had wanted to use the image below...particularly in relation to that clock on the wall...go figure:
the first image that gill had spotted...to then decide to use upon the networks...in relation to the 'paranormal crucible'.....see below:
the image that gill had liked the best...in relation to 'paranormal crucible' programming....
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